![]() I draw a parallel between finding the right typefaces for my repertoire and putting together a wardrobe: there are plenty of clothes that I see worn by other people to smashing effect, but it’s not every style that I feel would look good on me. Rather, it’s that I just don’t often find new typefaces that I feel are a good match for my particular ‘design voice’ (say what you will about the relative distinctiveness - or lack thereof - to be found in Helvetica, but it helps me say what I want). The problem isn’t that I find recent typographic design lacking. It’s just rare that I’ll find new typefaces that strike me as compelling enough to buy. Still, I do have some desire to broaden my horizons. It’ll come as no surprise to most folks that, more often than not, I’ll fall back on Helvetica. I’ll do that from time to time window shopping, as it were, for new fonts to add to my repertoire, though I’ll rarely indulge myself by actually buying them. ![]() ![]() ![]() Mentally, I did, because I just quickly tallied up all of the typefaces I’ve seen recently and wished that I owned. Just now, I spent over US$600 on new typefaces. ![]()
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